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Mutating sounds with Jesse Osborne-Lanthier | Native Instruments Blog
The sound-design artist on happy accidents, the secret power of ABSYNTH and the ethics of using presets
blog.native-instruments.com
돌아 돌아 이 분에게로 돌아오게 되었네. 오랜만에 Absynth를 첫 번째 트랙에 열어보게 된 계기가 되었다.
"When you do that, music sounds strange and extreme, super ‘overly-sound-designed’ because there’s no one aspect that holds it together, audio becomes elastic."
"Maybe it’s a Millennial thing. I never had enough money to be able to take classes, and my parents would never have paid for me to go to university – I just had to learn from the internet, forums and tutorials and such. The internet is definitely responsible for me learning synthesis, composition… everything really."
"We used to record guitars, harpsichords and other instruments, but now if we want a guitar sound, we just make it with Kontakt. It’s so much more interesting to me, personally. For me, it replaces the act of trying to figure out how to make the instrument sound unusual."
"No, not at all. I’ve done sample banks for people – just individuals who tell me they like what I make and that they want a bank of ‘my kicks’ or something, and I’ll make it for them. I’m flattered if people use my sounds, and I also use other people’s sounds, so no, it wouldn’t bother me at all."
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